17th Biennale of Sydney
  • Daniel Crooks, Static No.12 (seek stillness in movement), 2009–10 Detail of HD video (RED transferred to Blu-ray), dimensions variable. Courtesy the artist and Anna Schwartz Gallery. Copyright © Daniel Crooks 2009
  • Kutlug Ataman, Mesopotamian Dramaturgies / Journey to the Moon, 2009 (detail), still photography, 31 x 41 cm. Courtesy of Francesca Minini, Milan and the artist
  • Lara Baladi, Perfumes & Bazaar, The Garden of Allah, 2006 (detail), digital collage, 560 x 248 cm, technical production and printing, Factum Arte, Madrid. Courtesy the artist. Copyright Lara Baladi
  • Kataryzana Kozyra, Summertale, 2008 (detail), DVD production still, 20 mins, prod. Zacheta National Gallery of Art Copyright artist, courtesy ZAK I BRANICKA Gallery. Photograph: M. Olivia Soto
  • Araya Rasdjarmrearnsook, Manet’s Dejeuner sur I’herbe 1862 1863 and the Thai villagers group II, 2008-09 (detail), from ‘The Two Planets Series’, photograph and video, 110 x 100 cm; 16 mins. Courtesy the artist and 100 Tonson Gallery, Bangkok
  • Cai Guo-Qiang, Inopportune: Stage One, 2004 (detail), nine cars and sequenced multichannel light tubes, dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honour of the 75th Anniversary of the Seattle Art Museum, 2006, installation view at MASS MoCA, North Adams, 2004. Courtesy Cai Studio. Photograph: Hiro Ihara
  • Kent Monkman, The Death of Adonis, 2009 (detail), acrylic on canvas, 182.9 x 304.8 cm. Courtesy the artist and TrépanierBaer Gallery, Calgary
  • Christopher Pease, Law of Reflection, 2008–09 (detail), oil on canvas, 123 x 214 cm. Private collection. Courtesy the artist and Goddard de Fiddes, Contemporary Art, Perth. Photograph: Tony Nathan
  • AES+F, The Feast of Trimalchio, 2009 (detail of video still), nine-channel video installation, 19 mins. Courtesy the artists; Triumph Gallery, Moscow; and Multimedia Art Museum, Moscow
  • Tsang Kin-Wah, The First Seal – It Would Be Better If You Have Never Been Born…, 2009, digital video projection and sound installation, 6:41 mins, 513 x 513 cm. Courtesy the artist
  • Wang Qingsong, Competition, 2004 (detail), c-print, 170 x 300 cm. Courtesy the artist
  • Mark Wallinger, Hymn, 1997 (detail of video still), video, sound, 4:52 mins, edition of 10 and 1 artist proof. Courtesy Anthony Reynolds Gallery, London

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18th Biennale of Sydney announces exhibition concept for 2012

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all our relations’ was announced by Artistic Directors, Catherine de Zegher and Gerald McMaster, as the exhibition concept for the 18th Biennale of Sydney, 27 June – 16 September 2012.

all our relations intends to focus on inclusionary art practices of generative thinking, such as collaboration, conversation and compassion. Working from a collaborative framework, all our relations will be a departure from previous Biennale of Sydney exhibitions – the theme will increasingly become apparent through the process rather than being imposed on artists and audiences at the beginning.

De Zegher and McMastersaid: ‘Drawing on the possibility of the present, the Biennale will emerge from the engagement of all participants by using a model that begins with two curators in dialogue. A changing reality is apparent in a renewed attention to how things connect, how we relate to each other and to the world we inhabit. Rather than one work appearing to link to one or two other works, projects will correspond as if evolving from each other and progressing through the sequence of venues and buildings. Artists will work in a context that allows for mutual recognition and audiences from differing backgrounds will be part of this continual development. The collaboration will take place on many different levels: in co-existence, conversation and juxtaposition but also in purposeful connectivity. Artists, who can often feel isolated in their practice, will come together with neighbouring artists. This interconnection and interdependency will occur in the knowledge that audiences, too, will take elements from the exhibition and connect them with their own experiences.’

Since 1973, the Biennale of Sydney has explored varying terrains and broken new ground in each edition. The 18th Biennale of Sydney, under the creative direction of Catherine de Zegher and Gerald McMaster, seeks to continue this history of pioneering. Major venues for the 18th Biennale of Sydney include the Art Gallery of New South Wales, the Museum of Contemporary Art, Pier 2/3 and Cockatoo Island, with other venues to be announced.

Marah Braye, Chief Executive Officer, Biennale of Sydney commented: ‘Sydney hosts one of the most celebrated and respected biennale exhibitions in the world. For the first time, the Biennale has appointed a curatorial duo and their innovative approach offers a new direction for the 18th Biennale of Sydney. We eagerly anticipate the exhibition and range of public programs that will be offered in Sydney next year.’

ABOUT THE ARTISTIC DIRECTORS
Catherine de Zegher and Gerald McMaster have recently collaborated at the Art Gallery of Ontario, Toronto, where they participated in the re-installation of the Gallery’s collection in the renovated museum building by Frank Gehry. De Zegher and McMaster led the reinstallation of the European and Canadian galleries respectively. They have also worked together on the exhibition Draw & Tell: Lines of Transformation by Norval Morrisseau/Copper Thunderbird (2001) at The Drawing Center in New York.

Catherine de Zegher is a curator and writer, and Visiting Curator, Tàpies Foundation, Barcelona. Until recently, she was Guest Curator, Department of Drawings, Museum of Modern Art, New York, where she
co-organised On Line: Drawing Through the Twentieth Century. De Zegher was Director of Exhibitions and Publications, Art Gallery of Ontario, Toronto and, for many years, was the Executive Director and Chief Curator of The Drawing Center, New York. Before working in North America, she was co-founder and Director of the Kanaal Art Foundation in Kortrijk, Belgium.

Gerald McMaster is a curator, artist and writer, and since 2005 has been the Fredrik S. Eaton Curator, Canadian Art, Art Gallery of Ontario, Toronto, where he recently curated Inuit Modern: The Esther and Samuel Sarick Collection. He was also a member of the curatorial team for the 2010 Scotiabank Nuit Blanche in Toronto. At the Smithsonian’s National Museum of the American Indian, McMaster was the Director’s Special Assistant for Mall Exhibitions and Deputy Assistant Director for Cultural Resources. McMaster was also Curator, Canadian Museum of Civilization.

ABOUT THE BIENNALE OF SYDNEY
The Biennale of Sydney continues to play a central role in developing visual arts culture in Australia and connecting artists from around the world. Every two years, the Biennale of Sydney is presented free to the public over a 12-week period. As the most exciting contemporary visual arts event in the Asia-Pacific region, the 18th Biennale of Sydney (2012) will celebrate the organisation’s 39th anniversary.

Alongside the Venice and São Paolo biennales and documenta, it is one of the longest running exhibitions of its kind and was the first biennale to be established in the Asia-Pacific region. Since its inception in 1973, the Biennale of Sydney has provided an international platform for innovative and challenging contemporary art, showcasing the work of more than 1500 artists from over 83 countries.

The 18th Biennale of Sydney will be presented from 27 June – 16 September 2012. 

Download the full media release pdf

CONTACT
For further information and to arrange interviews, please contact:
Dara Vongsonephet
Marketing Manager
T +61 (0) 2 8484 8700
M +61 (0) 434 932 499
E dara@biennaleofsydney.com.au

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