17th Biennale of Sydney
  • Daniel Crooks, Static No.12 (seek stillness in movement), 2009–10 Detail of HD video (RED transferred to Blu-ray), dimensions variable. Courtesy the artist and Anna Schwartz Gallery. Copyright © Daniel Crooks 2009
  • Kutlug Ataman, Mesopotamian Dramaturgies / Journey to the Moon, 2009 (detail), still photography, 31 x 41 cm. Courtesy of Francesca Minini, Milan and the artist
  • Lara Baladi, Perfumes & Bazaar, The Garden of Allah, 2006 (detail), digital collage, 560 x 248 cm, technical production and printing, Factum Arte, Madrid. Courtesy the artist. Copyright Lara Baladi
  • Kataryzana Kozyra, Summertale, 2008 (detail), DVD production still, 20 mins, prod. Zacheta National Gallery of Art Copyright artist, courtesy ZAK I BRANICKA Gallery. Photograph: M. Olivia Soto
  • Araya Rasdjarmrearnsook, Manet’s Dejeuner sur I’herbe 1862 1863 and the Thai villagers group II, 2008-09 (detail), from ‘The Two Planets Series’, photograph and video, 110 x 100 cm; 16 mins. Courtesy the artist and 100 Tonson Gallery, Bangkok
  • Cai Guo-Qiang, Inopportune: Stage One, 2004 (detail), nine cars and sequenced multichannel light tubes, dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honour of the 75th Anniversary of the Seattle Art Museum, 2006, installation view at MASS MoCA, North Adams, 2004. Courtesy Cai Studio. Photograph: Hiro Ihara
  • Kent Monkman, The Death of Adonis, 2009 (detail), acrylic on canvas, 182.9 x 304.8 cm. Courtesy the artist and TrépanierBaer Gallery, Calgary
  • Christopher Pease, Law of Reflection, 2008–09 (detail), oil on canvas, 123 x 214 cm. Private collection. Courtesy the artist and Goddard de Fiddes, Contemporary Art, Perth. Photograph: Tony Nathan
  • AES+F, The Feast of Trimalchio, 2009 (detail of video still), nine-channel video installation, 19 mins. Courtesy the artists; Triumph Gallery, Moscow; and Multimedia Art Museum, Moscow
  • Tsang Kin-Wah, The First Seal – It Would Be Better If You Have Never Been Born…, 2009, digital video projection and sound installation, 6:41 mins, 513 x 513 cm. Courtesy the artist
  • Wang Qingsong, Competition, 2004 (detail), c-print, 170 x 300 cm. Courtesy the artist
  • Mark Wallinger, Hymn, 1997 (detail of video still), video, sound, 4:52 mins, edition of 10 and 1 artist proof. Courtesy Anthony Reynolds Gallery, London

Artistic Director, David Elliott

David Elliott is a curator, writer, broadcaster and museum director primarily concerned with modern and contemporary art. Elliott was Director of the Museum of Modern Art in Oxford, England from 1976–1996, Director of Moderna Museet in Stockholm, Sweden from 1996–2001, the founding Director of the Mori Art Museum in Tokyo, Japan from 2001–2006, and in 2007 the first Director of Istanbul Modern, Turkey. From 1998–2004, he was President of CIMAM (the International Committee of ICOM for Museums and Collections of Modern Art) and in 2008, he was the Rudolf Arnheim Guest Professor of Art History at Humboldt University, Berlin.

 

David Elliott, Artistic Director, 17th Biennale of Sydney Photo: Wilk

   Photograph: Wilk

Elliott is a cultural historian whose main interests concern contemporary art, Russian avant-garde and the visual cultures of central and Eastern Europe, Asia and the non-western world from the late nineteenth century. Beginning in the early 1980s, he formulated a series of pioneering exhibitions in one of the first programs to integrate non-western culture with contemporary art. He has published a large number of books, articles and catalogues on these subjects and has curated many exhibitions. He has also written extensively about the present-day role and function of museums and contemporary art.

Exhibitions he has conceived or worked on include: ‘Art and Power: Europe Under the Dictators 1930–1945’ (1995); ‘Wounds: Between Democracy and Redemption in Contemporary Art’ (1998); ‘After the Wall: Art and Culture in Post-Communist Europe’ (1999); ‘Organising Freedom: Nordic Art of the ’90s’ (2000); ‘Young Video Artists’ Initiative’ (2002); ‘Absences’ (2002); ‘Happiness: A Survival Guide for Art and Life’ (2003); ‘Africa Remix: contemporary art of a continent’ (2004); ‘Ilya and Emilia Kabakov, Where is Our Place?’ (2004); ‘Follow Me! Chinese Art at the Threshold of the New Millennium’ (2005); ‘Hiroshi Sugimoto’ (2005); ‘Tokyo-Berlin/Berlin-Tokyo’ (2005); ‘Bill Viola: Hatsu-Yume [First Dream]’ (2006); ‘From Ottoman Empire to Turkish Republic’ (2007); ‘Time Present, Time Past: Highlights from 20 Years of the International Istanbul Biennial’ (2007); and ‘The Quick and the Dead: Rites of Passage in Art, Spirit and Life’ (2009).

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