17th Biennale of Sydney
  • Daniel Crooks, Static No.12 (seek stillness in movement), 2009–10 Detail of HD video (RED transferred to Blu-ray), dimensions variable. Courtesy the artist and Anna Schwartz Gallery. Copyright © Daniel Crooks 2009
  • Kutlug Ataman, Mesopotamian Dramaturgies / Journey to the Moon, 2009 (detail), still photography, 31 x 41 cm. Courtesy of Francesca Minini, Milan and the artist
  • Lara Baladi, Perfumes & Bazaar, The Garden of Allah, 2006 (detail), digital collage, 560 x 248 cm, technical production and printing, Factum Arte, Madrid. Courtesy the artist. Copyright Lara Baladi
  • Kataryzana Kozyra, Summertale, 2008 (detail), DVD production still, 20 mins, prod. Zacheta National Gallery of Art Copyright artist, courtesy ZAK I BRANICKA Gallery. Photograph: M. Olivia Soto
  • Araya Rasdjarmrearnsook, Manet’s Dejeuner sur I’herbe 1862 1863 and the Thai villagers group II, 2008-09 (detail), from ‘The Two Planets Series’, photograph and video, 110 x 100 cm; 16 mins. Courtesy the artist and 100 Tonson Gallery, Bangkok
  • Cai Guo-Qiang, Inopportune: Stage One, 2004 (detail), nine cars and sequenced multichannel light tubes, dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honour of the 75th Anniversary of the Seattle Art Museum, 2006, installation view at MASS MoCA, North Adams, 2004. Courtesy Cai Studio. Photograph: Hiro Ihara
  • Kent Monkman, The Death of Adonis, 2009 (detail), acrylic on canvas, 182.9 x 304.8 cm. Courtesy the artist and TrépanierBaer Gallery, Calgary
  • Christopher Pease, Law of Reflection, 2008–09 (detail), oil on canvas, 123 x 214 cm. Private collection. Courtesy the artist and Goddard de Fiddes, Contemporary Art, Perth. Photograph: Tony Nathan
  • AES+F, The Feast of Trimalchio, 2009 (detail of video still), nine-channel video installation, 19 mins. Courtesy the artists; Triumph Gallery, Moscow; and Multimedia Art Museum, Moscow
  • Tsang Kin-Wah, The First Seal – It Would Be Better If You Have Never Been Born…, 2009, digital video projection and sound installation, 6:41 mins, 513 x 513 cm. Courtesy the artist
  • Wang Qingsong, Competition, 2004 (detail), c-print, 170 x 300 cm. Courtesy the artist
  • Mark Wallinger, Hymn, 1997 (detail of video still), video, sound, 4:52 mins, edition of 10 and 1 artist proof. Courtesy Anthony Reynolds Gallery, London

BECOME AN EMINENT INDIVIDUAL SUPPORTER

Founded in 1973, the Biennale of Sydney today ranks as one of the world's leading international festivals of contemporary art. As Australia’s largest and best attended contemporary visual arts event, the Biennale is renowned for commissioning and premiering new art works by acclaimed international and Australian artists, and for the discovery of new artistic talent.

We relish our reputation and the vital role the Biennale plays in promoting Australia's cultural wealth internationally. Each Biennale is made possible through committed and generous private donors who assist in making each ambitious event a reality, enjoying the connection this support brings.

GOVERNORS
Eminent members of our community rise to the occasion and pledge $50,000 each Biennale to become Governors and eminent champions of the event. Our Governors enjoy the ultimate access to the exhibition, the artists and visiting dignitaries.

AMBASSADORS
Passionate and visionary members of our community rise to the challenge and pledge $25,000 each Biennale to become Ambassadors and distingsuished patrons of the event. Our Ambassadors enjoy exclusive access to the exhibition, the artists and visiting dignitaries, plus networking opportunities with like-minded individuals.

BENEFACTORS
Our Benefactors pledge a minimum of $5,000 and enjoy being part of a group of like-minded patrons who are among the first to meet visiting artists and preview the exhibition with the Artistic Director.

All donations* enable the Biennale of Sydney to:

  • keep admission free so that it can be enjoyed by all
  • commission new projects by some of the world’s most innovative artists
  • develop and promote Australian art and artists, nationally and internationally
  • expose Australian audiences to the best of international contemporary art
  • promote tolerance, mutual understanding and international cultural exchange
  • expand our education program for young people and build arts education through our public program and publications

In acknowledging such generosity, the Biennale of Sydney ensures our supporters have a unique and specialised experience of the Biennale program. The Biennale acknowledges donations in Biennale publications, on signage and our corporate and exhibition website.

Biennale of Sydney Governors, Ambassadors and Benefactors are an integral part of the organisation’s network, with every relationship highly valued by the organisation. In addition to Biennale programs, the Biennale connects our supporters outside the exhibition period to future Artistic Directors, visiting art world VIPs and international programs including the Venice Biennale.

It’s never too late to join us and enjoy a fresh approach to supporting contemporary art and aligned programs.

To join the benefaction program, please contact:

Willa Stanton
Head of Benefaction
Phone: +612 8484 8719
Email: benefaction@biennaleofsydney.com.au

*Donations to the Biennale of $2 or more are tax deductible.

Bookmark and Share