17th Biennale of Sydney
  • Daniel Crooks, Static No.12 (seek stillness in movement), 2009–10 Detail of HD video (RED transferred to Blu-ray), dimensions variable. Courtesy the artist and Anna Schwartz Gallery. Copyright © Daniel Crooks 2009
  • Kutlug Ataman, Mesopotamian Dramaturgies / Journey to the Moon, 2009 (detail), still photography, 31 x 41 cm. Courtesy of Francesca Minini, Milan and the artist
  • Lara Baladi, Perfumes & Bazaar, The Garden of Allah, 2006 (detail), digital collage, 560 x 248 cm, technical production and printing, Factum Arte, Madrid. Courtesy the artist. Copyright Lara Baladi
  • Kataryzana Kozyra, Summertale, 2008 (detail), DVD production still, 20 mins, prod. Zacheta National Gallery of Art Copyright artist, courtesy ZAK I BRANICKA Gallery. Photograph: M. Olivia Soto
  • Araya Rasdjarmrearnsook, Manet’s Dejeuner sur I’herbe 1862 1863 and the Thai villagers group II, 2008-09 (detail), from ‘The Two Planets Series’, photograph and video, 110 x 100 cm; 16 mins. Courtesy the artist and 100 Tonson Gallery, Bangkok
  • Cai Guo-Qiang, Inopportune: Stage One, 2004 (detail), nine cars and sequenced multichannel light tubes, dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honour of the 75th Anniversary of the Seattle Art Museum, 2006, installation view at MASS MoCA, North Adams, 2004. Courtesy Cai Studio. Photograph: Hiro Ihara
  • Kent Monkman, The Death of Adonis, 2009 (detail), acrylic on canvas, 182.9 x 304.8 cm. Courtesy the artist and TrépanierBaer Gallery, Calgary
  • Christopher Pease, Law of Reflection, 2008–09 (detail), oil on canvas, 123 x 214 cm. Private collection. Courtesy the artist and Goddard de Fiddes, Contemporary Art, Perth. Photograph: Tony Nathan
  • AES+F, The Feast of Trimalchio, 2009 (detail of video still), nine-channel video installation, 19 mins. Courtesy the artists; Triumph Gallery, Moscow; and Multimedia Art Museum, Moscow
  • Tsang Kin-Wah, The First Seal – It Would Be Better If You Have Never Been Born…, 2009, digital video projection and sound installation, 6:41 mins, 513 x 513 cm. Courtesy the artist
  • Wang Qingsong, Competition, 2004 (detail), c-print, 170 x 300 cm. Courtesy the artist
  • Mark Wallinger, Hymn, 1997 (detail of video still), video, sound, 4:52 mins, edition of 10 and 1 artist proof. Courtesy Anthony Reynolds Gallery, London

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Roger Ballen - Artist Talk



Video produced by Caddie Brain and Tega Brain from COFA Online

About Roger Ballen
Born 1950 in New York, USA
Lives and works in Johannesburg, South Africa

Roger Ballen gained a degree in psychology before travelling the world. After six years abroad, he completed a PhD in Mineral Economics and established himself
as a geologist and mining consultant in Johannesburg, South Africa in 1982; this work steered him toward the fringe communities of South Africa and it was here,
in the poorest rural villages or dorps, he began taking traditional documentary photographs. Ballen has gone on to amass a large body of photographic works that record the human faces of this vanishing world; their strangeness, marginalisation and underlying violence evoking the work of Diane Arbus. Part photojournalist,
part-stage director, Ballen arranges artefacts, found objects and animals into unique compositions that coexist with his human subjects. In dishevelled surrounds, children and adults adopt darkly humorous poses. The scenes manipulate reality and fiction, where both inanimate and animate subjects play out strange, incoherent dramas for the benefit of Ballen’s lens.

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