17th Biennale of Sydney
  • Daniel Crooks, Static No.12 (seek stillness in movement), 2009–10 Detail of HD video (RED transferred to Blu-ray), dimensions variable. Courtesy the artist and Anna Schwartz Gallery. Copyright © Daniel Crooks 2009
  • Kutlug Ataman, Mesopotamian Dramaturgies / Journey to the Moon, 2009 (detail), still photography, 31 x 41 cm. Courtesy of Francesca Minini, Milan and the artist
  • Lara Baladi, Perfumes & Bazaar, The Garden of Allah, 2006 (detail), digital collage, 560 x 248 cm, technical production and printing, Factum Arte, Madrid. Courtesy the artist. Copyright Lara Baladi
  • Kataryzana Kozyra, Summertale, 2008 (detail), DVD production still, 20 mins, prod. Zacheta National Gallery of Art Copyright artist, courtesy ZAK I BRANICKA Gallery. Photograph: M. Olivia Soto
  • Araya Rasdjarmrearnsook, Manet’s Dejeuner sur I’herbe 1862 1863 and the Thai villagers group II, 2008-09 (detail), from ‘The Two Planets Series’, photograph and video, 110 x 100 cm; 16 mins. Courtesy the artist and 100 Tonson Gallery, Bangkok
  • Cai Guo-Qiang, Inopportune: Stage One, 2004 (detail), nine cars and sequenced multichannel light tubes, dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honour of the 75th Anniversary of the Seattle Art Museum, 2006, installation view at MASS MoCA, North Adams, 2004. Courtesy Cai Studio. Photograph: Hiro Ihara
  • Kent Monkman, The Death of Adonis, 2009 (detail), acrylic on canvas, 182.9 x 304.8 cm. Courtesy the artist and TrépanierBaer Gallery, Calgary
  • Christopher Pease, Law of Reflection, 2008–09 (detail), oil on canvas, 123 x 214 cm. Private collection. Courtesy the artist and Goddard de Fiddes, Contemporary Art, Perth. Photograph: Tony Nathan
  • AES+F, The Feast of Trimalchio, 2009 (detail of video still), nine-channel video installation, 19 mins. Courtesy the artists; Triumph Gallery, Moscow; and Multimedia Art Museum, Moscow
  • Tsang Kin-Wah, The First Seal – It Would Be Better If You Have Never Been Born…, 2009, digital video projection and sound installation, 6:41 mins, 513 x 513 cm. Courtesy the artist
  • Wang Qingsong, Competition, 2004 (detail), c-print, 170 x 300 cm. Courtesy the artist
  • Mark Wallinger, Hymn, 1997 (detail of video still), video, sound, 4:52 mins, edition of 10 and 1 artist proof. Courtesy Anthony Reynolds Gallery, London

FOLLOW US: Facebook Twitter You Tube Flickr RSS Feed

Kate McMillan - Artist Talk

Video produced by Caddie and Tega Brain from COFA Online 

About Kate McMillan
Born 1974 in Hampshire, England
Lives and works in Perth, Australia

Kate McMillan’s photographs, videos and multimedia installations explore personal memory and the ability of landscape both to evoke and to represent history and trauma. Her works often start from personal experience, building up layers of meaning, to result in an immersive experiential installation that favours emotional responses over factual storytelling.
Islands have long held a fascination for McMillan, and she has spent several years conducting research into the history of Rottnest Island, a former Aboriginal prison and current holiday destination located off the coast of Western Australia. Disaster Narratives (2004) mingles local stories of Rottnest Island with different histories from around the world, each linked by a past that has been suppressed or forgotten. Combining photography, video and sound, the multimedia installation reveals the ghosts of historic events that lie unacknowledged beneath our cities – from European holiday destinations built over sites of war-time destruction, to the Underground City of Mao Zedong.  
lost (2008) continues McMillan’s exploration of the power of the landscape as a metaphor for loss and memory. The video and sound installation is a layered portrait of the landscape near the childhood home of her father that takes as its motif a view of a small island in New Zealand.

Bookmark and Share