17th Biennale of Sydney
  • Daniel Crooks, Static No.12 (seek stillness in movement), 2009–10 Detail of HD video (RED transferred to Blu-ray), dimensions variable. Courtesy the artist and Anna Schwartz Gallery. Copyright © Daniel Crooks 2009
  • Kutlug Ataman, Mesopotamian Dramaturgies / Journey to the Moon, 2009 (detail), still photography, 31 x 41 cm. Courtesy of Francesca Minini, Milan and the artist
  • Lara Baladi, Perfumes & Bazaar, The Garden of Allah, 2006 (detail), digital collage, 560 x 248 cm, technical production and printing, Factum Arte, Madrid. Courtesy the artist. Copyright Lara Baladi
  • Kataryzana Kozyra, Summertale, 2008 (detail), DVD production still, 20 mins, prod. Zacheta National Gallery of Art Copyright artist, courtesy ZAK I BRANICKA Gallery. Photograph: M. Olivia Soto
  • Araya Rasdjarmrearnsook, Manet’s Dejeuner sur I’herbe 1862 1863 and the Thai villagers group II, 2008-09 (detail), from ‘The Two Planets Series’, photograph and video, 110 x 100 cm; 16 mins. Courtesy the artist and 100 Tonson Gallery, Bangkok
  • Cai Guo-Qiang, Inopportune: Stage One, 2004 (detail), nine cars and sequenced multichannel light tubes, dimensions variable. Collection of Seattle Art Museum, Gift of Robert M. Arnold, in honour of the 75th Anniversary of the Seattle Art Museum, 2006, installation view at MASS MoCA, North Adams, 2004. Courtesy Cai Studio. Photograph: Hiro Ihara
  • Kent Monkman, The Death of Adonis, 2009 (detail), acrylic on canvas, 182.9 x 304.8 cm. Courtesy the artist and TrépanierBaer Gallery, Calgary
  • Christopher Pease, Law of Reflection, 2008–09 (detail), oil on canvas, 123 x 214 cm. Private collection. Courtesy the artist and Goddard de Fiddes, Contemporary Art, Perth. Photograph: Tony Nathan
  • AES+F, The Feast of Trimalchio, 2009 (detail of video still), nine-channel video installation, 19 mins. Courtesy the artists; Triumph Gallery, Moscow; and Multimedia Art Museum, Moscow
  • Tsang Kin-Wah, The First Seal – It Would Be Better If You Have Never Been Born…, 2009, digital video projection and sound installation, 6:41 mins, 513 x 513 cm. Courtesy the artist
  • Wang Qingsong, Competition, 2004 (detail), c-print, 170 x 300 cm. Courtesy the artist
  • Mark Wallinger, Hymn, 1997 (detail of video still), video, sound, 4:52 mins, edition of 10 and 1 artist proof. Courtesy Anthony Reynolds Gallery, London

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Opening Week Forum

Power, Poverty, Equality and Freedom (and how we relate to art...)

Our Opening Week Forum is unfortunately fully booked, but we'll have some audio and video content from the event coming soon.

This two-day forum relates to the core elements around which the 17th Biennale of Sydney – THE BEAUTY OF DISTANCE: Songs of Survival in a Precarious Age – has been built. In it the question is asked: how can aesthetic values in different cultures be paradigmatic of qualities we all can recognise? This is amplified by artists presenting their own work. Moving between the ideas and language or pre-modernity, modernity and now, consider art's positive power and critical role, how this relates to different cutures, and how it has been used as a means of reinforcing or subverting ideas of materialism and property, or, alternatively, as an expression of non-material or metaphysical value.

Event Information

Domain Theatre, Art Gallery of New South Wales
Free Event
Friday, 14 May 9.30 am – 5.30 pm - FULLY BOOKED
Saturday, 15 May 9.30 am – 5.30 pm - FULLY BOOKED
 

The 17th Biennale of Sydney Forum is organised in collaboration with the International Curators Forum (ICF ); the University of Technology, Sydney (UTS);
the United States Studies Centre (USSC) at The University of Sydney; and the Faculty of Arts and The Power Institute Foundation for Art and Visual Culture, The University of Sydney.

Friday 14 May

Session I: 10 am
Poverty, Freedom and Rights

Enrique Chagoya, Amareswar Galla, Leah Gordon, Margaret Levi, Steven Loft

Session II : 1 pm
Is It Smart To Be Materialist?

Olga Egorova, David Elliott, Gonkar Gyatso, Fred Tomaselli
Session III : 3 pm
History, Experience, Truth and Empathy

Dana Claxton, Bruce W. Ferguson, Catriona Moore,  Fiona Pardington, Teka Selman
Session IV : 4.30 pm

Chto Delat: Tower Songspiel,
Olga Egorova (presents a new work)
Saturday 15 May
Session I: 10 am
First People, Diaspora and Fourth Worlds

Brenda Croft, Claudio Dicochea
Ngahiraka Mason, Kent Monkman
Session II : 1 pm
Communities, Commons, Copyright

Dr Gerald McMaster, Eileen Simpson
& Ben White, Megan Tamati-Quennell

Session III : 2.30 pm
Curating What?

David A. Bailey MBE, Ekaterina Degot,
David Elliott, Hu Fang, Simon Njami,
James Putnam, Pier Luigi Tazzi

Session IV : 4.30 pm
Nick Waterlow Memorial Lecture

Serenity And Terror In Vermeer, and After
Lawrence Weschler

In a world wracked by war and mayhem, Johannes Vermeer retreated into a single light-filled room and invented a notion of peace grounded in the autonomous free agency of his fellow human beings. Artists have not always, like Vermeer, been on the side of the angels. This talk will invoke obverse instances.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

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